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  • The Louvre! The Louvre has me in its clutches. Every time I'm there rich blessings rain down upon me. I am coming to understand Titian more and more and learning to love him. And then there is Botticelli's sweet Madonna, with red roses behind her, standing against a blue-green sky. And Fiesole with his poignant little biblical stories, so simply told, often so glorious in their colors.

    • Paula Modersohn-Becker,
    • in Günter Busch and Liselotte von Reinken, eds., Paula Modersohn: The Letters and Journals ()
  • I personally have never trusted museums. ... It is because museums, broadly speaking, live off of the art and artifacts of others, often art and artifacts that have been obtained by dubious means. But they also manipulate whatever it is they present to the public; hence, until Judy Chicago, in the 1970s ... few women artists were hung in any major museum. Indian artists? Artifacts only, please. Black artists? Something musical, maybe? And so forth.

  • ... it is in the oral traditions of the villages that the arts of India are really alive. The brief Western immortality of museums is pointless to people who have seen eternity in their earth.

  • Walking rapidly — or even slowly — through a gallery is equivalent to browsing through a bookstore and reading the blurbs.

  • Certainly we have bad paintings. We have only the 'greatest' bad paintings.